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2011 35C Thursday Review, Pt. II

It’s still hard for me to imagine much else happened after seeing Mavis Staples on stage but believe me, 35 Conferette was just getting started. By the end of her set, I had slept for five hours, worked at my day job for four, and had four hours of live music in my system. I took my excitement to the evening venues. Also, this was the day I pulled the “irresponsible parent” card and left my puppy, Noodles, at home. Many thanks to my roommates for keeping her company and for capturing her excitement here:

Noodles, The Magic Carpet

I headed to The Labb for the final Eaton Lake Tonics show but since the stage wasn’t even set up when they arrived, I took my antsy self all the way across the tracks to Rubber Gloves. See, there is a special bearded guy who has spent half a year traveling around South America who made his way back to Denton in time for the festival. Said gentleman simply signed up to volunteer as I saw him at meetings. Less than a week before the festival (and a few canceled bands later), Jacob Metcalf was officially set to play at 35 Conferette. Being his first time to play in Denton since his “bon voyage” show, I wasn’t going to miss it. Accompanied by fellow Dallas Family Band members, Petra Kelly and Dan Bowman, Metcalf brought a wonderfully intimate set to Rubber Gloves, making the long trek worth it. This is one album I hope comes into fruition soon.

Everyone kept talking about ending their night at Hailey’s with Cut Chemist so I hoofed it back to ensure I didn’t miss out. I was able to catch a bit of Dem Southernfolkz who had the crowd jumping. They ended their smooth set with style:

As I was being treated to one of the very few drinks I had all weekend, music started filling the air. I checked my phone and confirmed it was not time for Cut Chemist to start but apparently, he didn’t get the memo that as a musician in Denton, being on time is not expected. However, the bodies at Hailey’s did not care and the next thing you know, a circle formed as a few dudes started breakdancing.

The rest of the crowd lost themselves, aurally and visually, in Cut Chemist’s genius. I’ve only seen a few turntables spun live in my lifetime but there’s a big reason I tend to stray away from those shows. You can only watch a dude stand on stage, moving his arms and bobbing his head for so long until your eyes wander and the rest of your body does, too. Besides his brilliant beats and sound samples, Cut Chemist separates himself from the rest by purposely linking his music with video clips, leaving you with no excuse but to move your legs, shake those shoulders, and enjoy the night.

And, I did exactly that until he ended his set shortly before 2AM. In fact, it was a good thing he ended early because what I failed to mention was a chance encounter earlier in the night that meant I had three hours to get home and take a nap… Stay tuned, bat kids!

2011 35C Thursday Review, Pt. I

I’ll go into the craziness of the weekend later and explain why I slept for almost 24 hours yesterday but for now, I’ll recap the only day off I had at 35 Conferette.

Due to poor planning on my part, OK Sweetheart wooed the crowd while I sat at my optometrist’s office, answering that dreaded question, “1? Or 2?” My new eyes and I made it to Main Stage 1 (yes, two “main stages” do exist much like American Idol’s Randy Jackson believes in percentages over 100%) as Sarah Jaffe proceeded to do what I’ve seen her do many, many times. She fearlessly brought tunes, old and new, to her loyal crowd and increased anticipation for her new EP which is expected to be released sometime this year. ‘Twas good to see a certain Robert Gomez has returned from Seattle as well.

I had the pleasure of meeting a Dentonite in training, Harper, who braved the chilly air for her first musical festival ever. Best way to celebrate your fourth month of living, kid. Your parents are doin’ it right.

Rock n' roll baby

The estrogen continued to fill the air as The Secret Sisters brought their angelic harmonies from Muscle Shoals, Alabama to Denton, Texas. Two gals, one guitar, so simple and pure. Although Thursday’s early evening crowd was a bit sparse, they quickly understood why T-Bone Burnett holds these sisters in such high regard. On top of their genuine kindness, they showed that their young age doesn’t mean they can’t appreciate their roots as they included some Willie Nelson and Patsy Cline covers. In fact, later in the evening, Mavis Staples unashamedly praised their name on stage as well.

I wanted to catch The Pains of Being Pure at Heart while I chowed down on some pizza slices from Gio’s but they started so late, I abandoned them to ensure I had a good spot for Mavis Staples. I have no regrets about this decision as I was against the front gates for a perfect view of the legend, Mavis Staples.

Can I confess something? I didn’t know who The Staple Sisters were until 35 Conferette booked Mavis Staples. Agh, I know, embarrassing. I mean, after googling around, I realized I knew their tunes without knowing their origin. Even then, I thought it was odd that she would be booked into a music fest full of indie rockers and local talent but I went with it. Within seconds, I understood. I think within seconds, everyone understood as we found ourselves baptized with the truth by Staples’ distinctly low, yet joyful voice. As she conquered the stage and the youthful audience, I whipped out my phone to verify her age. 71. Old enough to experience the Civil Rights movement. Old enough to have over sixty years of music experience under her belt. Old enough to warrant an excuse to sit down… but she could barely sit still when she did. At 71 years of age, Mavis emitted more energy than any act I saw this weekend. And it was infectious. By the end of the set, Mavis and her crew (including her older sister, Yvonne) led the crowd to a fifteen minute version of “I’ll Take You There,” somehow sneaking in a Happy Birthday to Young and Brave‘s drummer, Ramon. See, she met Ramon when she arrived into town, somehow found out it was his birthday and managed to surprise everyone as she seamlessly incorporated the birthday song into the mix. Unfortunately, Ramon wasn’t there but the sentiment was not lost as she completely won over the hearts of Denton that night. And who could forget that “Keep Denton Beard” moment? Her joy is genuine and as my friend, Jesseca, explained afterward, “It’s her spirit,” a spirit that refuses to stay still, a spirit that was made for music, a spirit that was made to love others. You win, Mavis Staples. You win 35 Conferette 2011.

Edit (3/16/7:58AM): So, Ramon was there! My other sources were wrong. Also, Jaime, I knew something was up when you waved your festival hat at Mavis. The next thing you know, Mavis was scared that someone thought they were at a Tom Jones concert!

2011 35C Thursday Preview

I’m not completely rested up for today. Or this weekend. You probably aren’t either. But, once your feet hit Hickory Street and music hits your ears, your body is going to produce so much adrenaline and endorphins, your body will overlook the fact that it’s taken in more music than dreams during the weekend. In case you haven’t planned out your evening, hit up the complete rundown here on your computer or your phone (http://theneener.net/35c/35-conferette-lineup/35c-2011-unofficial-schedule-thursday/) or check out the highlights below:

Mavis Staples

Countdown bands playing Thursday:

Cut Chemist

My plans:

Feel free to say hi if you happen to go to any of these shows. Contact me or live vicariously through my twitter account, @theneener, as I will be tweeting like a mofo throughout 35C.

I Was There: Bosque Brown at Dan’s Silver Leaf (1/16/11)

Due to myriad of reasons, I found myself in a nightlife hiatus for over a month. It was a weird bubble to live in, coming home to a pooping machine puppy, hours of work, and no time to eat a suitable meal. But, I was finally able to break the silence with a wonderful show at Dan’s Silver Leaf last night.

Jeremy Buller, normally a supporting musician for several acts in town, took the spotlight and opened with night with some originals and a few covers. Armed with a Telecaster and an arsenal of pedals, he gave the night a slow and sincere start, filling Dan’s with mournful loops, echoes, and lyrics. Mara Lee Miller (Bosque Brown) joined him for his closer, a cover of Pedro the Lion’s “The Poison”.

The name Sam Robertson has been on my radar for awhile but admittedly, I had never even stopped by her myspace page for a listen. My bad. If Sam’s voice and songwriting isn’t enough, add two other angelic voices, a gem of a violin player, and a keys player that knew just when to add an accompanying note, and that was my first experience with Sam Robertson. Her live performance moved me to make my first music purchase of the year, her EP, and no doubt will I be saving money for her full-length which will hopefully drop this year.

The night took a slight turn when Western Giants took the stage as they brought a bit of rock to the night. It took awhile for my ears to become accustomed to the increase in sound and Kennon Talley’s voice seemed to get lost in the mix. I prefer the cleaner sound they achieve on their recordings but the rest of the crowd ate it up.

Bosque Brown closed the night as Mara Lee Miller took the stage, accompanied only by Jeremy Buller and his array of knobs, buttons, and pedals. It’s been an interesting journey to watch Bosque Brown decrease in numbers, at their peak, a 5-piece, and now, due to touring and logistics, a duo. I’ll be the first to admit that I miss the full sound they achieved with a piano player, pedal steel, bass, and drums, but thanks to Buller and the full use of every limb he has, Miller’s signature voice and deliberate picking are still in good company. Surprisingly (at least, to me!) a majority of their set consisted of unrecorded songs which, although I would have loved to hear some favorites, is very promising as new songs mean a new album, right? (Um, and ironically, I managed to record no new songs. I’ll try to remedy that soon!)

Dear House Venues of Denton,

It breaks my heart to know that one of your hard-working compatriots, the Majestic Dwelling of DOOM, officially threw in the towel this weekend after a good, relatively long run. Their demise was much like the fallen house venues before them: disrespectful attendees actin’ a fool. Unfortunately, popularity lends itself to larger crowds, increasing the chances of selfish show-goers who attend to be seen rather than to be entertained and entranced by some of Denton’s finest musicians. But do not be disheartened, House Venues of Denton. There are people that appreciate what you do and hope to see you succeed and grow. I am one of them.

As I’ve mentioned many months ago, I fell in love with the Denton music scene because of The Schoolhouse, the first house venue I had ever attended. The love-child of a few Dentonites, I attended many of The Schoolhouse’s shows and observed the amount of work they would clock in to book bands, get the word out, shepherd the crowd, shepherd the bands, attend to the occasional police officer, and clean up. I mean, I can barely clean my own mess in my own house let alone clean up after a houseful of people I don’t know, week after week. I jokingly asked if they made any money out of the madness, to which Charlie Hunter, The Schoolhouse co-founder, replied, “No, we don’t make any money doing it, but damn, is it fun”.

If you share the same love for the local music scene as Charlie does, then you’d agree. Yes, there are plenty of great venues in town (Dan’s Silver Leaf, RGRS, etc.) that book some really great local and national bands. But, there’s a certain intimacy you experience at a house show that you can’t get anywhere else. There’s something fun about toting your poison of choice to the show, being greeted by signs reminding you to close the door behind you (as you can only yell, “SHUT THE DOOR!” oh so many times), and cramming into a living room (or attic!) with sweaty strangers that quickly become your friends as you sing along with your new favorite local band, like some strange happy family. There’s no middle man, there’s no cover charge, and, most of the time, the people that are there want to be there for the same reason house venues exist: We love music.

Majestic Dwelling of DOOM, I will always remember you as the dark and mysterious house venue that, despite your intimidating name, hosted some of the softest, sweetest songstresses around as I made it to the Sabra Laval, Tre Orsi, and Bosque Brown show. It was cold but that didn’t stop the faithful, including you. And to the remaining House Venues of Denton members and hopefuls, please continue to do what you do. I’ll be sure to stop by. I’ll be the one throwing my cans in the trash bin, silently watching bands until I start singing along, and tossing in a few bucks in your donation jar.

Just another blogger,

Nina